Preview Only. Legal Use Requires Purchase. Feather Report JAZZ KRIS BERG INSTRUMENTATION

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1 a division o Aled JAZZ 1st E Alto Saxophone 2nd E Alto Saxophone 1st B eno Saxophone 2nd B eno Saxophone E Baitone Saxophone 1st B umpet 2nd B umpet d B umpet th B umpet (Optional lugelhon) IS BEG INSUMENAION 1st omone 2nd omone d omone Bass omone Guita Chods Guita Piano Bass Optional Altenate Pats C lute ua Hon in (Doules 1st omone) 1st Baitone C/B eno Saxophone (Doules 1st omone) 2nd Baitone C/B eno Saxophone (Doules 2nd omone) d Baitone C/B eno Saxophone (Doules d omone)

2 NOES O HE CONDUCO he goup Weathe epot is easily one o my avoite ands o all time eatuing amazing playes, cool gooves and geat compositions, this goup too jazz and usion to a level e othes have eve achieved is a tiute to the late Joe Zainul and Weathe epot In this composition you may hea seveal ideas that emind you o this iconic jazz goup and its amazing eyoadist/compose is itten in a hip-hip shule un eel his means that eighth notes ae played staight and sixteenth notes have a shule eel A ig dieence o me eteen this style o a sixteenth note eel and doule-time sing is the accents In this chat, sixteenth note lines have moe doneat accents than a nomal sing line ould have At measue 7, einoce the signiicance o the aticulation to the playes At measue 15, the tenos and ai should avoid a hash tone; instead, stive o a sote tone, and lend ith the lugelhon At measue 2, the chat immediately jumps into a highe enegy and volume should eally dig in and o to help ceate the enegy he ass pat is quite usy, so diect the assist to spend some time in the pactice oom ith a metonome his ill help the assist elax, play ith conidence and maintain a good goove ae a moment to have the and loo ove the mete changes at measue 7 Depending on the sill o the and, conside asing and memes to clap and sing the hythms pio to playing this section to loc in the hythmic pulse his section is in unison; theeoe, diect the playes not to oveplay and mae this section too heavy At measues 71 7, it is citical o the dumme to use this ie dum solo to ing the volume ay don leading into 75 Each ne line that entes stating at 75 should e head Dynamically, the section in measues is a lengthy and gadual cescendo In measues 91 and 92, the ass should play ith an accented yet legato style, almost choale-lie om measue 99 to the end, the goove neve lets up Mae sue the hythm section digs in even moe and maintains the enegy level At measue 106, the dumme ics into the inal gea as the ending vamp appeas, and at the same time, the saxes ae vey legato and soaing, as ae the tumpets hen they tae ove the melody at 11 At 122, the guita should e 8va aove the lead tumpet ith a smooth distotion eect (i availale) to e head aove the ensemle he guitaist should avoid chaacteistic guita ends, scoops, slides and viatos ut instead stive to match the style o the tumpets he ending is ig and ill e quite convincing hen the and eally nails it! I hope you enjoy this tune as much as I enjoyed iting it! is Beg is Beg is Beg is active as a clinician/atist o Yamaha and is the diecto o jazz studies pogam at Collin College, Dallas, exas A supe aange, is s chats have sold thousands old-ide is eceived oth his achelo s and maste s degees in jazz studies om the Univesity o Noth exas, hee he diected jazz ensemles and taught ig and aanging

3 CONDUCO 29792S 1st EÑ Alto Saxophone 2nd EÑ Alto Saxophone 1st BÑ eno Saxophone 2nd BÑ eno Saxophone EÑ Baitone Saxophone 1st BÑ umpet 2nd BÑ umpet d BÑ umpet th BÑ umpet (Optional lugelhon) 1st omone 2nd omone d omone Bass omone Guita Piano Bass Hip-Hop shule un (Sing 16th notes) å = 102 Hamon mute Hamon mute Hamon mute lugel Hon Bucet mute Bucet mute Bucet mute Bucet mute Solo - vey spase p 1 2 2nd ime Only 2nd ime Only 2nd ime Only 2nd ime Only HH im EAHE EPO Ḟ - simile BELWIN-MILLS PUBLISHING COP, A Division o ALED PUBLISHING CO, INC All ights eseved including Pulic Peomance 5 IS BEG 2nd ime Only Ṯ ith pts P 2nd ime Only 2nd ime Only 2nd ime Only 6

4 Alto 1 Alto 2 eno 1 eno 2 Bai pt 1 pt 2 pt pt n 1 n 2 n Bass n Gt Pno Bass ~7} Cont goove - Open Open Open Open n ( ) - n ( ) - n ( ) - n ( ) () - 2 Ṯ n ( ) - n ( ) - n ( ) - n ( ) - 1 (8) Sot sound Ḟ Sot sound Ḟ Sot sound Lead lugel Hon Ḟ 1

5 Alto 1 Alto 2 eno 1 eno 2 Bai pt 1 pt 2 pt pt n 1 n 2 n Bass n Gt Pno Bass ( ) ( ) o Open o Open o Open ( - ) ( ) ( ) ( ) ( - ) ( ) n n n (12) n 18 ( ) ( ) ( - ) ( )

6 Alto 1 Alto 2 eno 1 eno 2 Bai pt 1 pt 2 pt pt n 1 n 2 n Bass n Gt Pno Bass ( ) ( ) ( ) ( ) As is 22 - è è è è è - è - è - è - Ḟ ide (Bell) () () () ( ) () ( ) ( ) ( ) 2 simile Ṯ Ṯ ( )

7 Alto 1 Alto 2 eno 1 eno 2 Bai pt 1 pt 2 pt pt n 1 n 2 n Bass n Gt Pno Bass {27} o umpet n ( ) n ( ) n ( ) n ( ) n ( ) Ṯ Ṯ Ṯ () ( )

8 Alto 1 Alto 2 eno 1 eno 2 Bai pt 1 pt 2 pt pt n 1 n 2 n Bass n Gt Pno Bass - n ( ) - n ( ) - n ( ) - n ( ) - n ( ) (8) - - Ṯ ( ) Lead n n n - n n n n n - n 6 n n n (12) n N - - N - - N N 9

9 Alto 1 Alto 2 eno 1 eno 2 Bai pt 1 pt 2 pt pt n 1 n 2 n Bass n Gt Pno Bass n ( ) - n ( ) - n ( ) - n ( ) - n ( ) {} ime n n Ḟ 5 () ill 6

10 Alto 1 Alto 2 eno 1 eno 2 Bai pt 1 pt 2 pt pt n 1 n 2 n Bass n Gt Pno Bass loco n n n n n n n N n n N n n 5 n n n Nn n

11 {55} Bite! 2nd Alto 1 ime Only - Bite! 2nd ime Only Alto 2-1 Solo eno 1 Bite! 2nd ime Only eno 2 n - Bite! 2nd ime Only Bai n - n 2nd ime Only pt 1 n 2nd ime Only pt 2 n 2nd ime Only pt n 2nd ime Only pt n 2nd ime Only n 1 2nd ime Only n 2 2nd ime Only n Bass n Gt Pno Bass E 1 Comp - Opt Solo E 1 ~~~ ḟ E ( ) () () ( ) n n n - n - n n- n- n- n n simile () ( ) ( ) ( ) simile ( 1 ) n - n n - n n n n ( E 1) Comp - simile ( E 1) n n - n - - n - n n - () n - n - n n- n - n n n n n n n - n - n - n n n- n- n- n n n - n n - n n n n ( E ;) 61 - n - n n - n - n - (8) n v 62

12 Alto 1 Alto 2 eno 1 eno 2 Bai pt 1 pt 2 pt pt n 1 n 2 n Bass n Gt Pno Bass D a è è N è è N è - è N è è C1 C1 C1 6-6 simile n ( C1 ) simile ( C1 ) 65 n (12) n n è è è è è - è - è - è - ( C; ) ÿ end Solo ( ) 70

13 Alto 1 Alto 2 eno 1 eno 2 Bai pt 1 pt 2 pt pt n 1 n 2 n Bass n Gt Pno Bass Solo 71 decesc 72 7 Hamon mute Hamon mute Hamon mute Hamon mute 7 {75} imes - Play 2nd d time only imes - Play 2nd d time only - P imes P - - imes imes imes imes imes imes imes imes P - P imes - Play 2nd d time only imes - Play 2nd d time only - imes - Play 2nd d time only - imes - Play 2nd d time only - imes - Play 2nd d time only - - P HH im imes - 75 P - Build d ime Only d ime Only Lite ill Lite ill

14 Alto 1 Alto 2 eno 1 eno 2 Bai pt 1 pt 2 pt pt n 1 n 2 n Bass n Gt Pno Bass - - Open Open Open Open Build ide Build n n

15 Alto 1 Alto 2 eno 1 eno 2 Bai pt 1 pt 2 pt pt n 1 n 2 n Bass n Gt Pno Bass a N Staight sixteenths n n n Staight sixteenths n n n Staight sixteenths n Staight sixteenths n n n - n - n Staight sixteenths - 90 St 1/16ths {91} N N N N ní í í í í n í í í n í í í í í í í í í í í í í N 91 í í í n í í í í í í n í í í í n í í í í í í í n í í í í í í í í í 92 Goove Í n Í Í Í Í Í Í Í n ill ill 9 9

16 Alto 1 Alto 2 eno 1 eno 2 Bai pt 1 pt 2 pt pt n 1 n 2 n Bass n Gt Pno Bass ill ill 95 n 96 N N Ṯ 98 {99} ḟ ( ) ( ) ( ) ( ) simile n ( ) - n ( ) n ( ) n ( ) n ( ) 101

17 Alto 1 Alto 2 eno 1 eno 2 Bai pt 1 pt 2 pt pt n 1 n 2 n Bass n Gt Pno Bass - - () Ṯ n ( ) - n ( ) n ( ) n ( ) n ( ) {1 06} Comp n maj9 n - maj9 maj9 simile

18 Alto 1 Alto 2 eno 1 eno 2 Bai pt 1 pt 2 pt pt n 1 n 2 n Bass n Gt Pno Bass GÈ/C GÈ/C GÈ/C n maj9 n - maj9 maj9 111 n n n n n n n n n n Í B9 E9 Í B9 E9 n n Í B9 E9 - n 112 n - n n - n N A9 A9 n n A9 ill 11 {1 1} a - - a - - N - N - N Comp simile - ad li goove ''Dig in'' n maj9 n - maj9 maj9 115

19 Alto 1 Alto 2 eno 1 eno 2 Bai pt 1 pt 2 pt pt n 1 n 2 n Bass n Gt Pno Bass GÈ/C GÈ/C GÈ/C n maj9 n - maj9 maj9 119 n n - n n - n - n - - n - n - n - n n n Í B9 E9 Í B9 E9 n n Í B9 E n N A9 A9 n n A9 121

20 {1 22} Alto Alto 2 - eno eno Bai pt 1 a a pt 2 a pt pt a n 1 n 2 n Bass n /pts 8va Gt distotion Pno - Bass Busie n n - - maj9 maj GÈ/C GÈ/C

21 Alto 1 Alto 2 eno 1 eno 2 Bai pt 1 pt 2 pt pt n 1 n 2 n Bass n Gt Pno Bass n - - n - maj9 maj9 127 n n - n n - n n - n - - n - n - n - n n n n Í B9 E9 n n n n - n - n - n - N N N n N - n A9 n n n n n n a n n n n N n n n Nn n n 11 n

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